Tonys 2026: a quiet revolution in the new-play categories
Twelve months of off-Broadway transfers crowd the slate — and the musicals field is the deepest it has been in a decade.
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to the season, the houses, the casting — and the show this magazine takes its name from.
Twelve months of off-Broadway transfers crowd the slate — and the musicals field is the deepest it has been in a decade.
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The actor who built his career on roles in plural has signed on to a new chamber piece at the Booth — adapting a 19th-century memoir nobody has staged before.
Eight transfers are talked-about. Three are real. Here's how to tell the difference, by a producer who's been on both sides of the conversation.
From *A Gentleman's Guide* to *Six* to the most recent Tony winner — copyright expiry has done more for the form than any producer this decade.
The Play
The 2014 Tony winner — Robert L. Freedman and Steven Lutvak’s comic murder farce built on a 1907 public-domain novel, the same source the 1949 Ealing classic drew from. One actor plays the entire D’Ysquith family. Eight of them die.
Visit the play pageA poison’d, sneering, gleeful little show that wraps an Edwardian farce around the meanest book on Broadway.
— The New York Times, 2013